In the early 1990s, the writer-director Amy Heckerling was feeling down. Heckerling had burst on to the scene a decade earlier with Fast Times at Ridgemont High, a groundbreaking coming-of-age comedy of libidinous teens, and scored a surprise box office hit with 1989’s Look Who’s Talking. But she was struggling to fit Hollywood demands. “I was thinking: ‘Oh, I’m never …
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