An accident that’s been waiting to happen since 2003: the sound of Radiohead onstage, five madmen attacking the Hail to the Thief songbook. The British rock kingpins’ new Hail to the Thief (Live Recordings 2003-2009) is basically a track-for-track remake of their politically charged 2003 prog-punk gem, except with live versions, culled from different tours across six years. Since Radiohead …
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