Paul Thomas Anderson’s latest film, One Battle After Another, is considerably his most expensive effort to date. It was also, like There Will Be Blood, The Master, Phantom Thread, and the rest of his subversive filmography, written on Microsoft Word. “I’m still stuck on the world’s worst programme,” the 55-year-old director tells me over the phone from LA, laughing. “It’s stubbornness. It makes no …
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