TORONTO (AP) — In Nia DaCosta’s “Hedda,” Tessa Thompson’s titular socialite sows chaos. She manipulates. She cuts people to the bone with a quip. She pours more drinks. Hedda Gabler, the heroine of Henrik Ibsen’s 1890 play, has long been one of theater’s most tragic figures, a woman hemmed in by societal convention and her own dread of scandal. She …
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Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play | Film
Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, despairingly sexual, inspired by Ibsen’s Hedda Gabler and Chekhov’s dictum about the gun produced in act one. It’s a feverish variation on a theme, with twists on gender and racial difference. The action is transplanted from Ibsen’s Norway to a …
Read More »‘Hedda’ review: Nia DaCosta delivers fiery Ibsen reimagining
Hedda Gabler, one of the theater’s great schemers, is transported to 1950s England in Nia DaCosta’s deliriously fun, intelligent and impassioned spin on the classic Henrik Ibsen drama. One needn’t know anything about Ibsen’s 1890 play to enjoy “Hedda.” Like “Clueless” and “Bridget Jones’ Diary” before it, “Hedda,” in theaters Friday, is a film that works entirely on its own …
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