Lynne Ramsay has taken all of her films — confrontational tone poems generally revolving around one individual’s fissuring psyche — to Cannes. There was her 1999 debut, “Ratcatcher,” about an impoverished Glasgow boy suffering tragedies and drawn almost telepathically to an eerie canal. Then, “Morvern Callar,” in which Samantha Morton assumes the authorship of her dead boyfriend’s manuscript, a man …
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